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World Cultural Alliance of TAEKWONDO
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Taekwondo Bible, Vol.2  
7. Kang-Yu

About This Book

 

7-12. Mind of Kang-Yu

At the end of Yu you can use Kang-gi. And through Kang you can access Yu-gi. This is the figure of how Kang-gi and Yu-gi are unified distinctively. This distinctive unification is also connected by man's mind. How does the mind unify Kang-gi and Yu-gi?

Inherently man's mind distinguishes things by its will naturally, so the unification Kang-gi and Yu-gi, which is composed by man's mind, come to be distinctive. This is an aspect of <Oneness of Haneul and Tang in Saram>.1) In addition, as Kang and Yu are distinguished from each other they both belong to the category of Tang. They can be unified only because the subject that distinguishes both should be able to integrate the whole of them. It means, Haneul and Tang are to be unified in Saram.2)

TAEKWONDO is the principleof the Nature

In using the Yu-gi, thus in following the opponent, scatter the opponent and concentrate your technique in the accumulated strength and cowered body. Here, you should follow the principle of the technique through poses.3) This is the main key of how to join Yu-gi to Kang-gi. That is, you can use Kang-gi at the end of Yu. On the other hand, In using the Kang-technique, thus in concentrating techniques, secure the advantageous position4) for you and follow every subtle motions of the opponent continuously. Here, you should obey the current of <Heo-Sil> to catch out his weak points. This is the main key of how to join Kang-gi to Yu-gi. That is, you can access Yu-gi through Kang.

It is because It is because ¡°the high shall be abased in Natrue¡±5) that Kang and Yu change at the extremities of hand and soft properties like above. TAEKWONDO is the principle of the Nature.


<footnotes>

1) ¿©±â¼­ÀÇ <Oneness of Haneul and Tang in Saram>Àº °­À¯ÀÇ ¹«ºÐº°ÀûÀÎ ÀÏü¿Í ±× ¼Ó¿¡¼­µµ ´Ù½Ã °­À¯ÀÇ ºÐº°ÀÌ ÀÖÀ½, ÀÌ ¾çÀÚ°¡ ¸ðµÎ ¸¶À½ ¼Ó¿¡¼­ Á¶È­µÊÀ» °¡¸®Å²´Ù. °­À¯°¡ ¸¶À½ ¼Ó¿¡¼­ ÇϳªµÊÀ» °¡¸®Å°´Â °ÍÀº ¾Æ´Ï´Ù. °­À¯´Â ÀÌ¹Ì ¶¥ÀÇ ¿ä¼Ò·Î¼­ ºÐº°µÇ´Â °ÍÀÌ´Ï ÀÌ ¾çÀÚ°¡ ¸¶À½ ¼Ó¿¡¼­ ÇϳªµÇ´õ¶óµµ Çϴðú ¶¥ÀÌ ÀÏÄ¡ÇÏ´Â °ÍÀÏ ¼ö´Â ¾ø±â ¶§¹®ÀÌ´Ù.
2) ¿©±â¼­ Çϴðú ¶¥ÀÌ ÀÏÄ¡ÇÑ´Ù´Â °ÍÀº, ±â¹ýÀ¸·Î¼­ÀÇ °­À¯¿Í À̰ÍÀ» °¡´ÉÇÏ°Ô ÇÏ´Â Åä´ëÀÎ »ïÀç°¡ ÀÏÄ¡ÇÔÀ» °¡¸®Å²´Ù. ±×·¯¹Ç·Î ¾Õ¿¡¼­ ¸»ÇÑ ºÐº°°ú ¹«ºÐº°ÀÇ Á¶È­¿Í´Â ¶Ç ´Ù¸£´Ù.
3) ¾Õ(7-10-3. °­À¯ÀÇ À̷οò)¿¡¼­ ÀÌ¹Ì º¸¾ÒµíÀÌ ¡°±â¼¼¿Í ±ÕÇüÀÌ ¾î¿ï·Á¼­ ÀÚ¼¼¸¦ À̷硱´Âµ¥(24Àå) ±× °øÅëºÐ¸ð°¡ »ïÀç Áß »ç¶÷ÀÌ´Ù. ±×·¯¹Ç·Î ¿©±â¼­ ¡®ÀÚ¼¼¡¯´Â °ð »ïÀç Áß »ç¶÷À» ±â¹ýÀûÀ¸·Î ´ëÇ¥ÇÑ´Ù.
4) À̰ÍÀº ÇÏ´ÃÀÇ ±æ¿¡ µû¸£´Â ÀÚ¼¼¿Í ±â¹ýÀÇ ¿ä¼ÒµéÀÌ´Ù.
5) ¡ºñ²æ¶¡», 01ËëÎÏ11, ¡¦ çÃÜôʦÎùå¥.

 

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