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C. Buddhism and Taekwondo philosophy The essence of Buddhism philosophy is the
theory of emptiness(Gong Of course, Buddhism made great progress developing
Mahayanist Buddhism after Buddha, and it came to include a variety
of epistemologies, ontologies and axiologies in it, whereas all of
those must be based on the theory of emptiness and causation which
Buddha had realized at first. Buddha declared that he found out the
causal unity of everything during his inquiry on the nature of existence,
thus he could obtain the freedom. This
emptiness theory was formalized as 3 Beop-yin ( The implications of this 3 beop-yin is to
be depicted as erasing and picturing myself in the Taekwondo poem.
How to erase and picture myself at the same time? It is possible to
do it because I can see the real emptiness that Buddhist theory explains
when I experience the Munyomnusang by way of perfect harmony of myself.
It is neither empty nor not empty. It is just that everything is connected
with another extremely and indefinitely, which implies that this is
not this and that not that, and everthing changes constantly from
time to time. I moving harmonized perfectly with my opponent, I am
completely not I, and my opponent already exists just in my actions.
This is the Jaehaengmusang( This theory of emptiness, Gong( The buddhist causation theory implies that everything is made of the connections among all and is to create its causal effects on others, which leads to that the life, the agony, and the destiny of mankind is to be influenced by what man does. This causation theory is the foundation and essence of Buddhism. The fundamental spirit of the whole Buddhist philosophy was constructed on it. That is to say, other theories of Buddhism are deployments and variations of it. The causation theory was formulated into 12 causation doctrines. The buddhist causation theory has intimate
relations to the fact that the essence of Taekwondo can be formed
only in the relation between me and my opponent. That is, the essence
lies in the Kyorugy, which requires both me and my opponent. Both
I and he are indispensable. What does one think of when he exercises
himself in Taekwondo? He must think of his imagined opponent's actions
and positions. Even in exercise of Poomsae, he is supposed to be in
Kyorugy situation. This implies that he, in poomsae, reacts to and
competes with his imagined opponent, without which the Poomsae stops
being Taekwondo poomsae. Thus we can say that Taekwondo is a dialogue.
Taekwondo is a dialogue between my opponent and I, between subjectivity
and objectivity, between now and then, between mind and body, change
and constancy, man and nature, and being and nothingness. Each of
them are the same with another despite its distinctive expression,
the real appearance of which is neither empty nor full. That is to
say, neither is Taekwondo just a relation of I and he or that of subjectivity
and objectivity, nor is it not one of the two.
This is the nature of Gong( In this way, we can understand the relationship between buddhist causation and emptiness in Taekwondo, which proves the intimate relationship between Taekwondo philosophy and Buddhism.
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