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Archeological
Break:Event or Process the late tomb culture
Wontack Hong
Professor, Seoul University
The Late Tomb Culture The Tomb Period in
the Japanese islands has traditionally been divided into the Early (c.300-375),
the Middle (c.375-475), and the Late (c.475-650 or 700). Egami (1962,
1964) has reduced the traditional three-part division into a two-part
division by combining the middle phase with the late because, while
the cultures of the middle and late tomb periods are essentially similar,
the culture of the early period differs markedly from the others. According
to Egami, the only substantial division occurs at the end of the early
tomb period.
The transition from the culture of the
Early Tomb Period to that of the Late Tomb Period (circa 375-675) was
abrupt and sudden. The most important fact may be the sudden appearance
of horse bones and various artifacts related to horses. The Dongyi-zhuan
of Wei-shu, compiled in the late third century, states that there were
no horses on the Japanese islands.1>
Indeed, horse bones or any artifacts related to horses are never found
in the early period tombs.2>
In the Korean peninsula, on the other hand,
King Kwanggat’o’s stele that was erected in 414 records fifty thousand
foot and mounted soldiers being mobilized and dispatched in 407.3>
Nihongi records the official arrival of horses from Paekche in the fifteenth
year of Oujin [404].4> According to
Egami, the culture of the Late Tomb Period reveals the worldly tastes
of a warlike ruling class, suggesting the practical, militant and aristocratic
character of the North Asian equestrian people. The weapons ceased to
be precious or shamanistic objects, and those used in daily life came
to be buried with the deceased.
Their graves contain a large amount of
equestrian goods, including iron bridle-bits, wood or iron stirrups,
saddles, bronze bells attached to trappings, horse helmets, and remains
of horse armor. Their graves also contain a large amount of iron weapons
(swords, spearheads, armor, arrowheads, or helmets), crowns, grey sueki
pottery, gold earrings (with dangling chains), refined gold jewelry
(crowns, belt buckles, pendants, shoes), pieces of gold leaf or other
small gold objects, jade earrings, bronze mirrors, beads and other personal
ornaments, eating vessels, and various other objects thought necessary
to the dead in the next world.
They also put iron farming tools and clay
haniwa in the shape of quivers, saddled horses, boats, warriors, beasts,
men and women, garments and head-coverings, inside or around the tombs.5>
Egami (1964: 52) contends that the change was too sudden and too unnatural
to have been an indigenous development of a rice-cultivating society.
There could have been no reason for the Yayoi society to have deliberately
“imported” an alien culture on such a scale as to fundamentally transform
the basic character of its own traditional culture. The transformation
must reflect the subjugation of the Japanese islands by the people from
the continent.
The late tomb culture (c. 375-675) was
brought about by the Yamato kingdom. I postulate that the conquest of
the Japanese islands by the Paekche people occurred some time during
370-390, Oujin acceded to the throne as the founder of the Yamato Kingdom
in 390, and there may be some time lag between the commencement of conquest
and the burial of the conquerors in gigantic tombs with horse trappings.
The beginning phase of the late tomb period is symbolized by the gigantic
tombs of Oujin and his son Nintoku. Employing a large labor force to
pile up earth, they constructed a gigantic burial mound, either in a
keyhole shape or round shape, on a level plain and surrounded the tomb
with a moat and embankment. Barnes (1993: 227) states that “the horizontal
chamber tomb was introduced into the Japanese islands by Paekche elite
in the early fifth century.”According to Kidder (1985: 121), “all [horse]
trappings prior to the middle of the 5th century were foreign-made,”
i.e., made in the Korean peninsula. Farris (1998: 78-79) also notes
that: “The earliest examples [of horse paraphernalia] are simple, two-piece
bits and stirrups of iron and wood, both of which were recovered in
northern Ky?sh?, a sure sign of Korean import. Along with a few saddle
parts, these primitive trappings predominated in the first half of the
fifth century; many were probably peninsular products.”
According to Mizuno, the appearance of
such gigantic tombs [in the Late Period] implies the unification of
numerous traditional communities under one mighty ruler, and suggests
that the new ruling group constructed such spectacular tombs in order
to inspire awe in the minds of people, winning thereby their obedience
to the absolute ruler of the new nation.6>
Barnes (1988: 16) states that: “The replacement of ritualistic items,
such as bracelets and bronze mirrors, by more utilitarian tools and
weapons reflects a basic shift in the source of status and power for
the fifth-century elite.” The number of iron objects, iron ingots, and
blacksmiths’ tools as well as evidence of new metal-working techniques
such as the use of hinges and riveting and the ability to forge difficult
shapes, increased dramatically with the beginning of the fifth century.
According to Barnes, the Ariyama tomb (a
subsidiary tomb of the Oujin Mausoleum) alone held over 3,000 iron swords
and tools.7> Sue pottery (stoneware)
represents the Late Tomb Period, just like the cord-marked pottery and
Yayoi pottery represents the previous periods. Kidder (1985: 103-4)
notes that the sue pottery was a Korean product initially and coincided
in the Japanese islands with the appearance of horse-trappings in the
tombs. He further notes that the oldest sue pottery was discovered from
Fukuoka prefecture in Ky?sh? together with a nearby kiln site that was
dated to the late fourth or early fifth century.
According to Barnes, sueki was known as
Chosun (Korean) pottery until the 1950s, when the word sue (derived
from a reference to the vessels in the 8th-century anthology Many?shu)
was adopted.8> It seems to have been
an unbearable burden for the contemporary Japanese to keep calling the
representative artifact marking the 300-year Late Tomb Period “Korean
pottery.”9> Archeological Break: Event
or Process For those Japanese scholars who hate the Egami’s Theory of
Horseriding People, an article written by Edwards (1983) seems to constitute
sufficient evidence to discredit the entire study of both Egami and
such a distinguished archeologist as Kidder.
Edwards has contended that the archeological
evidence for horse trappings actually occurs in the “late fifth” century
rather than the “late fourth or early fifth.” He has further posited
that the changes were all gradual, and never abrupt, accusing Egami
of having created a false sense of discontinuity between Early and Late
Tomb materials. His argument has been all too uncritically seized and
enthusiastically echoed ever since, witness for example the work of
Farris (1998: 78-9), who claims: the horse “trappings appeared too late
to have been associated with an invasion in the mid- or late fourth
century; moreover, their spread across Japan was too gradual.” 10>
Edwards (1983) presents the archeological
data of 137 tombs in order to refute Egami’s thesis, but somehow the
data as staged by Edwards himself look more consistent with Egami’s
two-fold division of the Tomb Period. Edwards tries to refute Egami
by insisting that the traditional Middle Period tombs have to be analyzed
in combination with the Early tombs, and that the strong political power
the huge middle-period tombs represent cannot be understood to derive
from the “event” of a conquest by horseriders. Although the archeological
data prepared by Edwards himself show the appearance of a few tombs
that contain continental materials at around the “beginning of the fifth
century,” Edwards insists that the content of burials became distinctly
continental only “after the middle decades of the fifth century;” and
therefore, he claims, the tombs of Oujin and Nintoku cannot be classified
as those of the horseriders.
Edwards admits the possibility that the
continental influx he places in the mid-fifth century may actually belong
to the fourth, which would relate it to historical contexts of the fourth
century. But he insists that the traditional Middle Period tombs, including
the tombs of Oujin and Nintoku, still precede the continental influx,
and hence these tombs could not contain any equestrian paraphernalia
or anything conspicuously continental.11>
There are, however, clear evidences of equestrianism for the traditional
Middle Period (ca. 375-475) Tombs, and discontinuity between Early (ca.
300-375) and Late (ca. 375-675) Tomb materials.
I take my evidence from Nihongi, Barnes,
Kidder and Farris.First, in Nihongi, a story of the time of Yuriaku
refers to haniwa horses on the tomb of Oujin. That is, a person called
Hiakuson rode past Oujin’s tomb one night on his return from visiting
his daughter who had given birth to a child; a red courser dashed alongside
his piebald horse and its rider offered an exchange of horses. Hiakuson
greatly rejoiced at obtaining such a steed; he put this courser in the
stable when he arrived home and went to sleep.
The next morning, to his surprise, he found
that the red courser had changed into a haniwa horse. Retracing his
route, he found his own piebald horse standing among the haniwa horses
on the tomb of Oujin.12> Second, Barnes
(1983: vol.6; 8) notes that, in 1872, part of the front mound of the
Nintoku Mausoleum collapsed in a small landslide, exposing a pit-style
stone burial chamber. She further notes that some iron armor and weapons,
gilt-bronze ornaments, a mirror, a ring-pommeled sword, and a horse
bell that were recorded as having been recovered from the tomb of Nintoku
are preserved in the Boston Museum of Fine Arts.13>
Kidder (1985: 102-3) thinks their preservation
is indeed a fortuitous occurrence, considering the strict prohibition
of excavating any imperial tomb. According to Kidder, the small bronze
bells and a haniwa horse head that are said to come from the tomb of
Nintoku constitute the archeological evidence for equestrianism. Third,
Kidder (1985: 102-3) lists a specific collection of archeological evidence
for equestrianism from tombs believed to be connected with the “early
fifth century” Oujin-Nintoku stage of the Yamato kingdom: a saddle with
gilt-bronze bows from the Maruyama tomb (a satellite tomb of Oujin Mausoleum),
a bronze horse bell and a haniwa horse head from Nintoku tomb, two wooden
(front and back) saddle bows and a dumpy haniwa horse from the Ry?nan
site, and remains of a saddle, bit, stirrups and bronze ring from a
satellite tomb of Richiu Mausoleum.14>
Gold was not discovered on the Japanese
islands until the eighth century, and Japan had very much depended on
Korea as the source of raw iron also. Iron was never produced in the
Japanese islands until the late sixth century Farris (1998: 71-73)notes
that the quantity of iron from sites of all types in Japan grew dramatically
in the early fifth century and also that the source for almost all of
this iron must have been Korea, at least until iron sand was discovered
in the sixth century. Iron was never produced in the Japanese islands
before iron sand was discovered in the late sixth century. Iron ingots
were imported from the Kaya states and Paekche.15>
Farris states that: “the implications of early Japan’s near-total reliance
on the southern Korean states for iron, iron tools and weapons, and
iron workers are profound.”
Edwards himself quotes Kobayashi (1955),
who has argued that the huge middle tombs could not have been built
without the advanced methods of surveying and construction learned from
the continent, and also quotes Mori (1965), who has pointed out the
dramatically increased number of iron objects in the Middle Period tombs.16>
Surprisingly, however, Edwards ends up quoting Inoue (1960), implying
that the emerging indigenous force in the Kinai region first invaded
southern Korea, acquired iron there, and then, using the weapons and
armor made from the iron, unified Japan.17>
Egami (1964: 51) has pointed out that “the
idea that these people of the early tomb-mounds period (that lack the
military element required in carrying out subjugation activities) should
have landed in south Korea, the inhabitants of which were better armed,
should have succeeded in subjugatory activities and should have returned
home after fostering their horseriders’ culture is clearly contrary
to the universal laws of history.”
BIBLIOGRAPHY
[footnote]
1> ??? ?? ??????? ? . . . ?????
2> Kidder (1985: 106) states: “So far
no horse bones have been discovered in any Early Kofun period sites.”
3> ?????? ????? ??????
4> ??????? ????? ???? ???????? (K: 248)??
??? ??? ??????? ????? ??????? ???????? ??????? ???? (NI: 371)The Harima
Fudoki records the story that, while Homuda (Oujin) was hunting, he
noticed a horse running away. He asked attendants whose horse that was,
and was told that it was Homuda’s own horse. In this way, the Harima
Fudoki notes, the name of the place became “my-horse-plain.”?????? ???
???. . .???. . . ??????? ???? ???? ???? ?? ??? ????? ????? ????? (F:
278)
5> See Kidder (1985: 98-99).
6> See Hiroshi (1969: 72).
7> Gina L. Barnes (1983: 4. 245) Edwards
(1983), quite surprisingly, classifies the Ariyama tomb as the one that
does not contain anything conspicuously continental.
8> See J. Edward Kidder (1985: 103-4)
and Gina L. Barnes, (1983: 7. 256).
9> The people of the Korean peninsula
started producing the grayish or red Wajil earthenware, fired at 900-950°
C, during the 1st century AD, and then the high-fired stoneware (fired
at higher temperatures of 950-1150) some time during the 1st century
and 3rd century. See Barnes (2001: 121-3). Farris (1998: 85) states
that: “it is no accident that stoneware entered Japan approximately
when iron goods industries became more widespread. Each technology required
heating and working materials at high temperatures.” Harima Fudoki (F:
326) records the instance of Homuda, the founder of Yamato kingdom,
finding “the right kind of clay” on an inspection tour.
10> Unger (2001: 84-5) also states:
“I began to change my mind about this a few years ago because of criticisms
of the so-called horserider theory by Walter Edwards and Gina Barnes.”
11> See Edwards (1983: 273, 283, 284,
and 286).
12> ??. . .????. . .?? ???? ???? ?.
. .???? ?????. . .????. . .????. . .??? ??????. . .????? ???? ??????
(NI: 485)
13> Gina L. Barnes (1983: 6. 8)
14> According to Kidder (1985: 100),
the saddles with gilt-bronze bows fitted over a decorated wooden frame
are “similar to Korean products and came from the same workshops.”Edwards
(1983: 275, 295) tabulates the date and contents of the Maruyama tomb,
placing it “at the end of the fourth century,” as the one that contains
almost nothing conspicuously continental. Although a saddle with gold
decoration was found in the tomb, he insists that a subsidiary mound
should not be considered contemporary with the main mound, and that
“this tomb could not have been constructed earlier than the middle of
the fifth century,” negating his own tabulation. (See also footnote
7.)
15> ?? ?????? ??? ???...??? ?????? ???????…?????
????? (NI: 359)Copper was not produced either until the copper ore was
discovered in 698 (or in 708) in the Japanese islands. Japan does not
have a “Bronze Age.”
16> Edwards (1983: 289) notes that the
dimension of the tombs corresponds to rational multiples of the linear
units used in Korea. According to Kidder (1985: 95), the tombs of both
the Early and Late Period had applied the ancient Koguryeo unit of measurement
(komajaku, 35-36 cm) for their design and construction.
17> See Edwards (1983: 288-290).
ttp://www.WontackHong.pe.krhttp://www.EastAsianHistory.pe.kr?
2005 by Wontack HongAll rights reserved
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Homepage: www.EastAsianHistory.pe.kr)
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Archeological Break:Event or Process
the late tomb culture
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